In fact, he couldn’t live without me, he said, intimating that one day we’d marry… Declaring his intentions honorable, he swore that he loved and needed and respected me.
He said I’d always be chaperoned and that he’d care for me in every way. Elvis promised to enroll me in a good Catholic school - he’d choose it himself - and make sure I graduated. Instead, Elvis impersonator Ronnie McDowell provides vocals over a liberal use of news footage and home movies, contributing to the biopic’s overall bloated feel.“Drawing on all of his charm, Elvis assured my father that if I was permitted to move to Memphis, I wouldn’t live with him at Graceland but with his daddy, Vernon and his wife, Dee. Yet there are frustratingly few scenes of Elvis performing. Whereas other Elvis biopics have ended with one of the King’s triumphant comebacks, this film continues into the Fat Elvis period. The anguish they feel when their much-loved daughter falls madly in love with a man ten years her senior, is effectively realised as is their sense of powerlessness when the object of her affection refuses to take no for an answer.
More significantly though, he is unable to convey any of the star’s charm and charisma.Īn unexpected strength of the film is the depiction of Priscilla’s parents.
Dale Midkiff on the other hand neither looks nor sounds like Elvis. Susan Walters, who bears a strong resemblance to Priscilla, gives a pitch perfect performance in a role that requires her to age from 14 to 32 years old. Yet there would be no ‘happily ever after’ for this fractured fairy-tale.īased on her book of the same name this biopic effectively charts the impact Elvis had on Priscilla’s life, from giddy teenager lost under his spell through to a determined woman who can walk away from the madness.
As Priscilla Presley tells it in some exceedingly banal narration, this is a tale of a princess (Priscilla) who goes to live in a castle (Graceland) with the King (of Rock ‘n’ Roll).
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